A first person report from inside the mind of Patrick Bateman, who epitomises the ills of the 1980s by combining the professions of Wall Street broker ("mergers and acquisitions") and serial killer ("murders and executions"), the book was widely misinterpreted as a hideously misogynist tract that used explicit violence to draw attention to a thinly-plotted pretend thriller with dollops of surface-level satire. Published in 1991, Bret Easton Ellis' third novel was greeted by howls of hatred more appropriate to a small war in the Third World or another Golan-Globus Lemon Popsicle sequel.
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